First, identify the problem. Second, put actions in to place to improve the problem. By recognizing times when they are good at resisting impulses, and times that they are not, you can help identify their strengths and then carry those throughout the rest of their day. REW is great too! Very useful. Hobby-project on Youtube or professional use.
There is no universal answer to your question. You have to check with each individual impulse response pack under what terms you are allowed to use them. All were downloadable from this link when I checked today. Have a great day and stay well! Happy Day! Your email address will not be published. This site uses Akismet to reduce spam. Learn how your comment data is processed. Skip to content. Liked it? Level up and support Resoundsound on Patreon. Yup all about finding those gems that become a standard part of your workflow!
This is what I love to hear! Kind Regards Rolf. They sound fantastic! You can find out more and check some demos at impulse. I can only imagine studios in Finland.
Miller Puckette is a god in software world. Really I love the samples from the L? Love the drum plate and guitar plate. Trackbacks […] Resoundsound […]. Leave a Reply Cancel reply Your email address will not be published. Looking forward to buy some, for the free one alone is almost all I'd need!! I'm surprised nobody has mentioned the Kalthallen Cabs.
There are a Ton of them. I also bought some OH's. I've tried them all but in the end I've gone back to the Line 6 cabs in the Helix. My Go-To cab in the Helix is the Rhino 4x It's very Beefy like a 4x12 cab but it might be a little dark for some so you can use the Low Cut in the Cab settings and also if needed you can throw a Simple EQ right before or after the cab to brighten it up a bit to your taste.
Give it a try. It's so so different from Any of the other cabs in the Helix!! Ah ha! Someone else notices that the bass cabs are useful for something other than bass. I also like the Rhino cab.
For an even darker tone, maybe not as fat, but more crunch around the edges, try the Beast. A large number of free guitar IRs including quite a few for bass. I have not tried them yet and it is hard to tell what format they were saved in. Might be worth a try though. Note that the Helix Impulse slot number I used in the presets is indicated at the end of the IR name You will probably want to rename them.
So you get a pretty dark tone with the mic at the edge of the cone but if you compensate by boosting the hi's and some higher mids after it say with simple eq then you get a lovely character of the amp- it's not brash and hard like if you are mic'ing in the centre..
Nice tip, thanks! Attention all you two-voice-at-the-same-time-junkies. Here are some alternatives for you. They are derived from Mama Bear. I used Logic Pro's Impulse Response Utility, they are all bit recorded at 24 and converted 48K recorded that way NOT converted a couple are or , they work the same, it's just really hard to crop exactly in that clunky program IRs.
All of them work in Helix. I tested them. Here's the thing. Mama Bear makes you not only choose the model, but the input device. The number at the front is the number of the model in that manual. A few really cool and different ones are the Gypsy Jazz, Archtop Jazz and resonator models. Very surprising. What surprises me even more is that even though they were made with the "wrong" input selected for a "real" acoustic guitar, they seem to work great in that way!
I tried some with my Crowdster and they worked really well. More subtle, I think, than the Fishman Aura ones floating around, and you may like those Fishman ones better for certain things I think I still do.
I will make a sample video when I can, and will probably capture another set with the under-saddle input circuitry selected to see if it works better with acoustic guitars. I attached a zip file if you want as well.
It's in my thread here. Let me know what you think and if they are useful. Note that the neutral IR is what appears to be a very very simple waveform. Is that good? I don't know. Also, these are sample IRs and I have a feeling they will work best that way. Have you ever wondered what your sampled piano might sound like inside a cavern? Or, how about playing a drum machine in the middle of an old church? Using convolution reverb, you can apply the characteristics of real-world spaces to any audio material, all without the the cost of travel or having to find a power outlet for your synth inside an ancient stone tower.
Using a convolution reverb, you can apply the character of any number of real-world spaces, vintage pieces of hardware, and more, to your sound. Ever wanted to capture the sound of the actual batcave?
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